ARTICLES
League of Extraordinary Gentlemen: A Tale of Two Princes.
A great man once said this. Every 10 or so years, a legend appears. Someone of a completely different breed. A luminary. An outlier. An outstanding person in whichever field. In our era in football, we have been lucky to see Christiano and Messi as well as Thierry Henry and Ronaldinho before them. In rap music we have been blessed with Kanye West and Lil Wayne as well as Eminem and Jay Z before them, and Biggie and Pac before that. And possibly, Kendrick Lamar and J Cole after that. Time will tell.
Closer home, we have seen Babaluku and Saba Saba plus Abramz and Sylvester. We have seen Klear Kut and Baboon Forest Entertainment. We have seen Navio and GNL. We have seen Keko. We have seen Ruyonga and BigTril. We’ve seen Gravity Omutujju. On a more technical and specialized level, we’ve seen Benny Black and Tucker HD.
Behold, a new breed of rappers is creeping into the spotlight of substance. A breed of rappers with both work ethic and soul. The urban singing scene has given us Abaasa, Body of Brian, JC Muyonjo and company. What do these great singers, all in their twenties, have in common? There’s a depth and organisation to their craft. They bring to the industry well executed concepts. The thought that goes into what they release is evident. Also, these artistes are highly skilled and have, for many years, honed their gifts on many stages in Kampala, providing a soothing relief to Kampala’s elite corporate class as the sun goes down, after a long day at work. They have mastered their instruments and it often seems like they are one with their guitar/ drums/ keyboard. These artistes are also apparently quite exposed. Such is their exposure to the different ways of doing things, thanks in part to YouTube, that they have refused to conform to the pop culture pressures of our industry that have entrapped one too many a musician. However, the most striking quality, or feat, of this new league of extraordinary artistes, is their ability to maintain a steady supply of high quality of work. The consistency with which they release songs and high quality EPs, is nothing short of impressive. The Ugandan urban music dream is more alive because these outliers have given and given, and allowed their hearts and souls to be laid bare onto beautiful tracks.
Back to rap music, there are two gentlemen that fit so well into this new fine breed. Both of these gentlemen are not even 24 yet, and they might not have built a long portfolio of live performances as multi instrumentalists, and yet their music bursts with texture. These gentlemen are none other than Malcolm X Kawooya and Lagum Owor, more commonly known as Mal X and Lagum. Both of these gentlemen are Christian, and this is obvious in their music. And yet this doesn’t act as a limitation to them. They wear their beliefs and values on their sleeve and go on to set the bar high for African rap music, in a way that’s never been done before. They both come from backgrounds of international schools, though Lagum’s is more pronounced. Whereas Lagum has been a Christian longer and spent his childhood getting grounded in the scripture, Mal X confessed to having been an atheist, until a few years ago, when he converted to Christianity.
Whether for these reasons or others, I can’t name many Ugandan musicians that are more introspective than this pair. And it’s at this point that I’ll diverge and talk briefly about each, individually.
Lagum is a super producer, by any Ugandan standards. He plays many instruments and is able to produce many different genres of music at a high level. In fact, for a long time, he was known mostly as a producer. He is also a distinguished singer, who comes up with beautiful melodies and sings them in the most urban way, reminding one of both The Weeknd and Travis Scott. Someone so gifted in these two disciplines should not be able to stand out as a rapper, right? And yet, in my view, apart from Ruyonga (who some say is the best in the region) , Tucker HD, and sometimes Big Tril and Benny Black, no one can match his technical ability and sheer depth of content. He comes in with that triple threat. He conceives the instrumental, creates a beautiful hook for it and sings it (he has a studio in his house), and then crowns it all off with Ruyonga level verses. And he’s just 22. I’ve watched him perform a number of times. The first time I watched him, he had on stage to back him, this highly talented posse, Hidden Empire, that he was a part of. The energy and hype Lagum inspired was out of this world. They were all behind him dabbing vigorously and leaping triumphantly, in a manner similar to Kanye West’s performance in the UK, about two years ago, when he mobilised Skepta and other British rappers to cause mayhem on stage.
The most recent performance I witnessed was at the Born Free concert at Lugogo. First of all, the sound and lighting and set up were already at a different level. Lagum was the first performer. Each of the 3 brand new songs he performed was a journey of incredible depth. It reminded one of both Kendrick and J Cole in 2011, at the peak of their mixtape era. Lagum just went deep into that part where the soul and the brain meet, and left the crowds dumbfounded and excited at the same time.
It’s only fitting that I introduce Mal-X at this point because I believe, nobody personifies that Kendrick, J Cole soul, more than Mal. For context I’ll add Kanye in The College Dropout and Chance The Rapper in Coloring Book. Add to that mix, a slightly more Ugandan accent, quite a bit of Luganda, beautiful jazz instrumentals and you have Mal-X. Whereas the aforementioned artistes are multi-instrumentalists, Mal-X is a spoken word performer. He knows how to evoke emotion with words, with ambient music serving as a backdrop. What I really wonder about, is how he is able to get the producer to perform at the same high standard as himself. I’ve always been aware of Mal-X, but mostly as a wordsmith, you know, rapper with dope punchlines, and I’d also heard that he was doing poetry and spoken word. I was unable to listen to his project that he dropped late last year, with Simon Elly and Suspekt 92. But my goodness, a few months ago, thanks to The Tribe UG’s commitment to cataloguing Ugandan rap music, I came across Who am I?. This was a song by 92XEl featuring Ruyonga and Sulphuric (download it here). Mal-X kicked the song off, and he managed to outshine this great selection of distinguished rappers, based off, not on technical prowess or braggadocio (infact one of the things that sets Mal-X apart is his ability to sound humble as a rapper, and yet move people), but pure soul and honesty.
Today, I listened to the Song of many Colors EP (download it here). I had to play it thrice. This is a carefully woven project inspired by, and referencing, the story of Joseph in the Bible. Each of the 6 songs, is named after a stage, highlight, or theme, in Joseph’s story. However the story is clearly Mal’s, and Joseph isn’t even mentioned until guest rapper, 1der JR references him in his verse on the last song. The six songs are Dreams, The Pit, Slavery, Free, Power and Fine Linen & Gold Chains. I’ve never been so moved by an East African project as I was by this one. The maturity displayed here is remarkable. The last time I felt like this after listening to a project was J Cole’s 2014 Forest Hills Drive which had songs like Apparently, Love Yourz etc. On one of the songs, Dreams, Mal-X actually cries on the track. And you are forced to empathize, whilst fighting your own tears.
Thank God for these musicians, who like Prince, Whitney Houston and Bob Marley before them, have volunteered their hearts and souls, selflessly laying them bare onto timeless songs, for the benefit of their insatiable audiences.
This article was first published on Kampala Times.
ARTICLES
INTO THE B’RAKA LAND
Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.
In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!
One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.
Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.
The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.
Keep streaming JUVIE Here
ARTICLES
Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy
By Byaruhanga Felix (@MrByaruhanga)
Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.
In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.
This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.
As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.
One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.
The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.
These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.
From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.
I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.
Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.
ARTICLES
Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.
If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.
Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.
This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.
To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.
Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.
Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.
For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.
-
Interview11 months agoMaritza on Breaking Continental Barriers with Spoken Word EP ‘Poetry in Motion’
-
ARTICLES6 months agoApply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.
-
ARTICLES11 months agoKohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.
-
ARTICLES11 months agoReviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.
-
Interview11 months agoMitch Isabirye on Poetry, Collaboration, and Culture: The Story Behind ‘Poetry in Motion EP’
-
ARTICLES11 months agoOn the Move by Denesi: A Powerful Anthem of Hustle and Ambition
-
ARTICLES3 weeks agoINTO THE B’RAKA LAND
-
ARTICLES4 weeks agoTukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy


