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INTERVIEW: Tucker HD Chats To Blixxack About UG Hip-Hop & Afroppuccino.

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It’s only two days left to the release of Blixxack’s debut album titled “Afroppuccino”. This will be Blixxack’s first full body of work in a longtime, however time and again he has given us projects  such as “W.Y.K” ,“The Proem”  and lately “Queen”.  In these few projects we’ve listened and noticed the growth of Blixxack as an artist. As a platform dedicated to pushing the hip-hop culture forward we decided to have a chat with the rapper formerly known as Benny Black. His longtime collaborator Tucker HD chatted with him about the new album, the growth of Blixxack and UG Hip-Hop. It’s Thursday 22nd February, 2018 02:00 AM in Kampala, Uganda & Wednesday 21st February, 2018 06:00 PM Philadelphia, Pennsylvania, USA, the two rappers get to having a hip-hop conversation.

Tucker : Blixxack! What’s good bro?

Blixxack: Man I’m chilling. Enjoying every moment. What’s good?

Tucker: Alright I’d like to start the interview here. I notice there’s been a re-brand from “Benny Black” to “Blixxack”. What is the explanation for that?

Blixxack: I was re-branding so I could stand out. I found out there were a lot of Benny Blacks out there so decided to go with the name Enygma and a couple people used to call me at studio, Blizzack. But that was copyrighted so I replaced the Zs with Xs. Doesn’t hurt that 2 Xs remind me that I’m 2 times better than I used to be.

Tucker: Why the long hiatus? (I’m sure fans would want to know the cause)

Blixxack: I was focusing on school, giving it my 100%. So, once I was done with my degree, I had time to focus on my art.

Tucker: This is definitely a huge moment for you and your fans, this being your debut album. How do you feel?

Blixxack: I am very happy right now. I’m in the most creative state I’ve ever been in and I’m excited to share my new work.

 

Tucker: So why Afroppuccino, what’s the idea behind it.. And why now?

Blixxack: The title “Afroppuccino” came from the word “frappuccino”, a well-known blend of coffee, ice, creams and other ingredients. This project is a fusion multiple genres from hip-hop, to R&B, and Afrobeat that I’m serving. The “Afro” part of it was inspired by my roots. I wanted it to be known that this was something done by an African.

Tucker: The first single, WYK was a rather unexpected, touching record and it received such an incredible reception online. What was its inspiration?

Blixxack: After I heard about the death of Lil’ Peep, I instantly sat down and wrote the song. I feel like so many people tend to think artists have these perfect lives and are constantly happy. That couldn’t be further from the truth. So, I just put my personal experiences with depression, insecurity, anxiety, self-doubt and all that good stuff on paper. I didn’t expect it the reception to be honest. I still get texts from people telling me how they relate to it and it’s great to see my music touch lives like that. I’m glad it got the conversation about mental health going because that is something we(Africans) tend to shun.

Tucker: Black’s W.I.T.S & The Lost Tapes were landmarks, each in their own right. How best can you describe your growth as an artist since then, and what do you think will make this new project different?

Blixxack: On my first two mixtapes, I felt like I had the need to prove that I could spit and rap the hardest. I lived off the props and I wanted to make each song have better bars than the last one, you know? Punchlines, metaphors, intricate rhymes schemes and all that. Afroppuccino is different because I went into it just wanting to make songs I would enjoy, songs my little sister could listen to and play for her friends, music that just felt good and authentic. I am also more or less an open book now. I talk about my experiences with situations like depression, questioning my (religious) faith, dealing with loss, and many more topics that most rappers I know would rather not touch…to safeguard their “street cred”. And finally, on this project, I got myself out of the “rap box” that I had let people put me in. I experiment with a lot of singing, using afrobeat inspired instrumentals, messing around with various vocal effects, and making music that I can dance and party to.

Tucker: What was the inspiration behind the creation of this album?

Blixxack: The inspiration came from finishing school, and not really knowing what to do next. Music is one of the few things I know I can do, so I decided to just sit down and make songs. I just wanted to put out all things I have been dealing with since the last time I released a full project.

Tucker: The creative process of the album: Did you do any production for yourself (what percentage) and also who else features on the album (production and rappers)?

Blixxack: I got in touch with various producers based in the US. Some from YouTube, others from Soundcloud. I would just walk around listening to instrumentals and humming ideas. When I got home, I would record demos and later turn them into full length songs in my bedroom studio and then send out vocals to producers. As far as mixing and mastering, most of the works was done by Young Royalty(a producer based in Little Rock) and Samurae (Talent Africa) . The guest features are mostly my friends or artists that I have always wanted to work with. Finally got to work with Mal X, and Pryce Teeba whose music I enjoy. (Tucker HD)You and Suspekt 92 are like family so whenever we discuss concepts and love what we got, recording happens naturally. And I got to meet a great artist from my school, Langston Okinawa that I had fun working with.

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Tucker: What’s the one thing you want people to take from this record?

Blixxack: I want them to enjoy the music and realize that this is not the same dude that made Black’s W.I.T.S or Lost Tapes. I was in a different mental space then, and I have grown as an artist as far as concepts, melodies, experimenting with songs that would have previously been out of my comfort zone.

Tucker: Thoughts about the growth of the industry and what you would want to see change?

Blixxack: I think the Ugandan hip-hop industry is always moving forward, that’s for sure. I would love to see artists do music that’s true to them. I see a lot of that already and it’s music to my ears. We definitely need to release more visuals, get on more platforms, have websites, and just get out there because we got so much talent that people worldwide would appreciate.

Tucker: Any chance of a Guudfellas joint project?

Blixxack: Anything’s possible. The right timing is everything.

Tucker: Lastly, when are we likely to have you back here in UG to perform the album?

Blixxack: I have been giving that a lot of thought and it could be any time. All I know for sure is that I’ll be in Uganda this December. If people want to see me perform the album and all factors work in my favor, then who knows….it may happen.

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

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Photo Credit: Next Media/NXT Radio

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

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On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

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Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

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