ARTICLES
INTERVIEW: Tucker HD Chats To Blixxack About UG Hip-Hop & Afroppuccino.
It’s only two days left to the release of Blixxack’s debut album titled “Afroppuccino”. This will be Blixxack’s first full body of work in a longtime, however time and again he has given us projects such as “W.Y.K” ,“The Proem” and lately “Queen”. In these few projects we’ve listened and noticed the growth of Blixxack as an artist. As a platform dedicated to pushing the hip-hop culture forward we decided to have a chat with the rapper formerly known as Benny Black. His longtime collaborator Tucker HD chatted with him about the new album, the growth of Blixxack and UG Hip-Hop. It’s Thursday 22nd February, 2018 02:00 AM in Kampala, Uganda & Wednesday 21st February, 2018 06:00 PM Philadelphia, Pennsylvania, USA, the two rappers get to having a hip-hop conversation.
Tucker : Blixxack! What’s good bro?
Blixxack: Man I’m chilling. Enjoying every moment. What’s good?
Tucker: Alright I’d like to start the interview here. I notice there’s been a re-brand from “Benny Black” to “Blixxack”. What is the explanation for that?
Blixxack: I was re-branding so I could stand out. I found out there were a lot of Benny Blacks out there so decided to go with the name Enygma and a couple people used to call me at studio, Blizzack. But that was copyrighted so I replaced the Zs with Xs. Doesn’t hurt that 2 Xs remind me that I’m 2 times better than I used to be.
Tucker: Why the long hiatus? (I’m sure fans would want to know the cause)
Blixxack: I was focusing on school, giving it my 100%. So, once I was done with my degree, I had time to focus on my art.
Tucker: This is definitely a huge moment for you and your fans, this being your debut album. How do you feel?
Blixxack: I am very happy right now. I’m in the most creative state I’ve ever been in and I’m excited to share my new work.
Tucker: So why Afroppuccino, what’s the idea behind it.. And why now?
Blixxack: The title “Afroppuccino” came from the word “frappuccino”, a well-known blend of coffee, ice, creams and other ingredients. This project is a fusion multiple genres from hip-hop, to R&B, and Afrobeat that I’m serving. The “Afro” part of it was inspired by my roots. I wanted it to be known that this was something done by an African.
Tucker: The first single, WYK was a rather unexpected, touching record and it received such an incredible reception online. What was its inspiration?
Blixxack: After I heard about the death of Lil’ Peep, I instantly sat down and wrote the song. I feel like so many people tend to think artists have these perfect lives and are constantly happy. That couldn’t be further from the truth. So, I just put my personal experiences with depression, insecurity, anxiety, self-doubt and all that good stuff on paper. I didn’t expect it the reception to be honest. I still get texts from people telling me how they relate to it and it’s great to see my music touch lives like that. I’m glad it got the conversation about mental health going because that is something we(Africans) tend to shun.
Tucker: Black’s W.I.T.S & The Lost Tapes were landmarks, each in their own right. How best can you describe your growth as an artist since then, and what do you think will make this new project different?
Blixxack: On my first two mixtapes, I felt like I had the need to prove that I could spit and rap the hardest. I lived off the props and I wanted to make each song have better bars than the last one, you know? Punchlines, metaphors, intricate rhymes schemes and all that. Afroppuccino is different because I went into it just wanting to make songs I would enjoy, songs my little sister could listen to and play for her friends, music that just felt good and authentic. I am also more or less an open book now. I talk about my experiences with situations like depression, questioning my (religious) faith, dealing with loss, and many more topics that most rappers I know would rather not touch…to safeguard their “street cred”. And finally, on this project, I got myself out of the “rap box” that I had let people put me in. I experiment with a lot of singing, using afrobeat inspired instrumentals, messing around with various vocal effects, and making music that I can dance and party to.
Tucker: What was the inspiration behind the creation of this album?
Blixxack: The inspiration came from finishing school, and not really knowing what to do next. Music is one of the few things I know I can do, so I decided to just sit down and make songs. I just wanted to put out all things I have been dealing with since the last time I released a full project.
Tucker: The creative process of the album: Did you do any production for yourself (what percentage) and also who else features on the album (production and rappers)?
Blixxack: I got in touch with various producers based in the US. Some from YouTube, others from Soundcloud. I would just walk around listening to instrumentals and humming ideas. When I got home, I would record demos and later turn them into full length songs in my bedroom studio and then send out vocals to producers. As far as mixing and mastering, most of the works was done by Young Royalty(a producer based in Little Rock) and Samurae (Talent Africa) . The guest features are mostly my friends or artists that I have always wanted to work with. Finally got to work with Mal X, and Pryce Teeba whose music I enjoy. (Tucker HD)You and Suspekt 92 are like family so whenever we discuss concepts and love what we got, recording happens naturally. And I got to meet a great artist from my school, Langston Okinawa that I had fun working with.
Tucker: What’s the one thing you want people to take from this record?
Blixxack: I want them to enjoy the music and realize that this is not the same dude that made Black’s W.I.T.S or Lost Tapes. I was in a different mental space then, and I have grown as an artist as far as concepts, melodies, experimenting with songs that would have previously been out of my comfort zone.
Tucker: Thoughts about the growth of the industry and what you would want to see change?
Blixxack: I think the Ugandan hip-hop industry is always moving forward, that’s for sure. I would love to see artists do music that’s true to them. I see a lot of that already and it’s music to my ears. We definitely need to release more visuals, get on more platforms, have websites, and just get out there because we got so much talent that people worldwide would appreciate.
Tucker: Any chance of a Guudfellas joint project?
Blixxack: Anything’s possible. The right timing is everything.
Tucker: Lastly, when are we likely to have you back here in UG to perform the album?
Blixxack: I have been giving that a lot of thought and it could be any time. All I know for sure is that I’ll be in Uganda this December. If people want to see me perform the album and all factors work in my favor, then who knows….it may happen.
ARTICLES
INTO THE B’RAKA LAND
Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.
In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!
One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.
Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.
The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.
Keep streaming JUVIE Here
ARTICLES
Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy
By Byaruhanga Felix (@MrByaruhanga)
Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.
In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.
This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.
As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.
One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.
The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.
These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.
From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.
I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.
Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.
ARTICLES
Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.
If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.
Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.
This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.
To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.
Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.
Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.
For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.
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