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REVIEW: The NIWE AKEINE EP

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By @TheCountMarkula

Akeine started her professional musical journey about a couple of years ago and has not looked back since. She has dropped singles like “Wanted” and “Mpumuza”. She has also featured on a number of tracks, including 1der Jr’s “Gonja” and Ch!ef’s “Harre”, where she killed the hook. A couple of weeks ago, she announced the release of her self-titled E.P (Niwe Akeine) and we were eager to listen to whatever she and Axon had managed to cook up.

As The Tribe UG, we got our first sneak peek into her E.P when we went to The Meat Guy to watch Akeine perform alongside Lagum and Joshua Baraka. Together with Lagum, she delivered a stellar performance of “Uninspired”, which is the first track off the project. A week later, we got to see them perform the same song at her listening party at Tavern Breeze, where she explained that the song was written at a time when she was feeling rather uninspired. If that is what she can come up with while uninspired, I wonder what she will be able to do at the peak of her inspiration.

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The project includes five other songs, featuring artists like Joshua Baraka, Denesi, Walter Yt, Gideon Roots, and the spoken word poet, Ssebo Lule. She takes us through a variety of singing and writing styles, showing off her musical range. Akeine played and performed all the tracks off the E.P at her listening party in Najjera, drawing praise and applause from the crowd for each one of them, especially “Correct” (which reminds me of some of the music that Ekky used to make) and “Legeza” which features Denesi and Walter Yt.

On Friday 18th February 2022, the project finally dropped. I have personally taken my time to internalize it. I have watched the songs performed live, I’ve played them in the office, I’ve played them while chilling with friends, I’ve played them in the shower, I’ve played them on the road… The vibe is always right. Kudos to Akeine for dropping a debut project that shows so much potential, and has us looking forward to seeing what else she will deliver further down the line as she continues to grow into her musical career.

I have read a number of positive reviews on social media, but I would like to say something about one of the songs that is not being mentioned as much; Akeine and Joshua Baraka teamed up to deliver “Carry On”. The song is well written, the vocals are well-executed, and the musicality is great! However, beyond all this, there is a message to which we can all relate. At the listening party, Akeine mentioned that this message of the need to carry on/keep it going/never give up should be something with which every artist in our music industry is familiar. Just as she says in the song, we can only hope that Akeine will continue to put in 100% and leave no room for regret!

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It would be unfair to complete this without saying a bit more about Axon! I do not know if people have realized the fire that this man is bringing to the industry. It is true that Axon is surrounded by a number of talented artists, but it takes a good producer to harness this talent and make it into the musical gold that he keeps delivering. Check the stats! Axon is not just the producer behind the Niwe Akeine project, he has produced some of our favorite songs on both Kohen Jaycee’s Wena and Wena II projects, as well as a number of great songs by Rulz, Lamu, Cxnrvd, Denesi… One could easily make a good “Heyo Axon” playlist, and it would definitely be a vibe!!!

If I had to pick my favorites;
Track 4: Correct (“…why you lying through your teeth? squeaky clean, yet you fill them up with filth…”)
Track 5: Carry On ft. Joshua Baraka (“…was it the wish I threw in the well, was it magic or a spell..”)
Track 6: Legeza ft. Denesi & Walter Yt (“…Legeza, Legeza, legeza, legeza, legezaaa…”)

Check out the project HERE and let us know what you think.

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

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Photo Credit: Next Media/NXT Radio

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

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On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

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Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

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