ARTICLES
REVIEW: “The Name is Rodney” by RXDN3Y MA
By @paulothewriter
I hate debuts. Debuts hardly get the patience they deserve. Especially if it’s the first time you are publicly coming out with some form of entertainment or sport. They are an avenue for the audience to become experts and tell you who does it better or what they would have preferred.
What I love is, “behind the scenes.” Whenever we watch bloopers of movies and unedited behind the scenes footage, we appreciate the final cut more. “Behind the scenes” shows you that it’s not as straight forward as your layman “expertise” thinks it to be.
With social media now, where we are all critics with a keyboard and instant access to an audience, debuts have become a lot harder. You just need to trigger the right twitter fingers and you’ll have a mob of strangers agreeing with you. However, all it takes is a more popular opinion, phrased with the right triggers and a fresh mob will be pitted against your mob and your opinion. I hate what social media has done to genuine opinions.
Debuts in music have to be the most brutal. With streaming platforms birthing an era where music is more disposable than ever (over 60,000 new songs are uploaded to Spotify alone daily), creating music that is aurally appeasing for your first serving is a milestone that does not get the acknowledgment it deserves.
The Name is Rodney, a 5-track debut from Rxdn3y Ma is a first serving that deserves the patience any debut ought to be granted. As a mostly solo act with just one feature, it is a very impressive “out of the gate” presentation to the world where RXDN3Y hopes to gather his audience, and build a fan base.
All 4 solo songs, Mboona, Matama, Nkaaba & Aguti are obvious favorites. “Bbaala” Track number 3, a feature with an Artist called Omwana is the only track I will nitpick.
RXDN3Y does a clever thing to give us a mostly standalone project for his debut. This approach strips you naked and presents a raw you to the fans for judgement. A standalone project is a fair exhibition to the fans, as you are not supplemented by other acts that could make up for your short comings. What we see is; what you really can do.
He does a stellar job at holding his own and delivering several moments worthy of the praise The Name is Rodney has received on social media.
The charm in his writing is the bold jesting that sometimes feels uncomfortable. The behind the scenes that explains this is the playful wittiness Rxdn3y carries in his personality. You can see this in his tweets and even conversations if you know him beyond the music.
When you look past your self-righteousness and realize that it’s strictly for entertainment, you enjoy the music and soak in the amusement of “that thing you call a hubby” as he sings on “Nkaaba.”
“Bbaala” which was the first single of this EP is a song I feel didn’t need the feature. Omwana does nothing to add to it. If anything, his unpolished delivery takes away from the song. You are left looking forward to whenever RXDN3Y is the one singing.
Nkaaba and Aguti are proper R&B tracks that bring out a side of Rxdn3y that a keen ear will linger on for a second. They are evidence that he can actually deliver a proper R&B track if he isn’t playing into the market, by blending other genres.
As far as my hatred for debuts goes, The Name is Rodney is one that carries a lot of its weight. It needs the patience every debut ought to be granted because it is nothing like what you have heard. The uniqueness in what is done on this EP is unfamiliarity that could easily lose you.
Rxdn3y is a talented artist that understands that power in discovering his range and musical strengths. Every track is significantly different from the other, a risk that pays off because every track is given the attention that type of track needed.
Where he digs and draws from his emotions, it’s reflected in the writing, the vocals and the overall delivery. Tracks that allow for silly writing will have you on the floor when he tells you that the only bond they had was “bond 7” – a type of alcoholic beverage.
It is an overall solid project and an introduction that justifies why our industry needs an artist like Rxdn3y. What I look forward to is how he measures up when he collaborates with equally gifted artists.
He is undeniably vocally gifted and once he unlocks the confidence that comes with getting “your debut, the criticism that comes with it and the social media court house” out of the way, Rxdn3y has the potential to be a dominant force.
Check out The Name is Rodney HERE
ARTICLES
INTO THE B’RAKA LAND
Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.
In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!
One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.
Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.
The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.
Keep streaming JUVIE Here
ARTICLES
Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy
By Byaruhanga Felix (@MrByaruhanga)
Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.
In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.
This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.
As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.
One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.
The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.
These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.
From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.
I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.
Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.
ARTICLES
Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.
If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.
Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.
This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.
To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.
Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.
Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.
For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.
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