ARTICLES
REVIEW: “Prolific” EP by MooTowNoh
Celebrities used to be mythical creatures before a college dropout created Facebook in his Harvard dorm room and changed the social dynamics of fame. I remember running into The Mith at a studio in Bukoto back in the day and I almost lost my composure. I was in the presence of a celebrity, an idol, a rap “god!”
There was an exciting mystery about seeing a famous person because they were the white rhinos of our national park called “being a regular person.” If I had not been intimidated by his giant stature and the unreliable battery of my Blackberry, I would have taken a photo with him that day. And framed it!
Mark Zuckerberg, with Facebook and the social media revolution that spiked right after, made celebrities a lot more accessible. Social media penetration means that we have free access to our celebrities and what they are up to. For some, we know the color of your bedsheets. And we can tell that those fingernails belong to a late-night show host when you post candid photos of your weekend lover.
It has essentially demystified the appeal and assumptions that came with being famous. What celebrities have left going for them now, (among many other things of course,) is the demeanor and the poise one bears. It is easy to be famous and accessible now, but what else says that you are? Why should we care? Why should we give you our precious attention?
When I first met MooTowNoh, we were on set filming his Tribe UG Pressplay episode for “Pound or Shilling (PoS).” Instantly, I could tell I was in the presence of someone that walks, talks, and carries that famous person confidence. The charm of his character stood out like Mark (The Count) literally standing among kindergarten kids and in uniform as well.
It could have been the adrenaline of having just dropped “Pound or Shilling (PoS),” a song many hailed as pointing us in the right direction of urban music, but one can only stay in character for so long.
I met him many more times after that and his self-possession remained the same. This guy is either a good actor or that’s just who he is. Well, that’s him. Sal Deejay also speaks on his character as she interviews him on “The Prolific chats” – an interview series that rolled out ahead of this EP.
It was therefore no surprise when “PROLIFIC” was the “tagline” or “catch phrase or word,” that MooTowNoh run with for his brand. It fits. It is perfectly chosen to accurately describe who he is as an individual, and with the EP, as an artist.
Where “PROLIFIC” the EP will most likely stand out, for new listeners especially, is in its ability to make you listen. MooTowNoh is so audible and articulate, you hardly beg for a pardon to try and figure out what the last word was. What this does for your listening experience is, it enables you to actually pay attention since you are not competing with an accent you can’t quite place.
This is present throughout the entire 7 track EP.
He writes down things he won’t record, but where he managed to, this EP is a tour into his notepad. On tracks like IIWII, Colors, Pound or Shilling (PoS), Zombies, and Common Sense, where it’s just him, you are given the opportunity to appreciate him without assistance from another talent.
Solo tracks are the best way to show off what you are capable of. The different ranges, themes, and deliveries selected for the solo tracks are clever choices. MooTowNoh is able to demonstrate his versatility, confidence, and comfort when standing on his own.
The writing is clear and precise, the flow is consistent but identifiable. Identifiable, in that you know it’s him without it getting monotonous (MoonoTowNous) for you to be like, “eh! But this guy sounds the same on every song.” The template comes in various shapes and sizes, it’s continuously tweaked to copy without getting caught.
Track 3 is where the magic, the pills and potions, the witchcraft… were all beautifully applied. He features Damzy on the track titled “Again” and it is an impressive “again and again and again” creation in replay value.
Damzy, what a talent! What a voice! What a surprise! She takes the front seat and drives the song without missing any Apexes, corners, or slowing down on the straights – formula 1 reference, forgive me. Let me explain!
The pleasant surprise here is her voice and how effortless she makes singing. A brand of singing that she does very well. You might know that she can sing since she has quietly been on a few projects. But you haven’t heard Damzy sing like this.
“Again” is the first one where she is wearing her singer persona without any limitations. This is vocally rogue Damzy on a killing spree.
She delivers spectacular ranges when she hits the high notes, and buttery smooth singing when she doesn’t. It was too easy! Beautifully, too easy. Damzy gave “Again” the respect it deserved and it’s evidently intentional in her singing. This makes you appreciate her, and the song so much more.
The bigger surprise on “Again” might be MooTowNoh with his “husky voice” for which he managed to find the right range to blend with Damzy’s without causing chaos. It was an easy mistake to avoid, given that Mark (The Count) is the pen behind this one. Any disorder would have been chased as fast as you’ll hit replay on this song after the first listen.
Papa T and Mxestro are the only other features. They both appear on “Vibrations.”
You might know this one, it was an early single off the EP. It still sounds as fresh as the early release and my highlight here is Papa T. He does a tremendous job easing you into the concept, and the flow is suspiciously right, almost like the beat and melodies were created to his flow.
This type of perfect fitting is mastery that reminds me of Bata when we were getting fitted for new school shoes the weekend before a new school term. It is neat and cleanly executed- some say it fits like a glove. (Tweet me if you get this.)
Have I rumbled? Well then, let me conclude:
“PROLIFIC” is a very impressive project from the young rapper MooTowNoh. A fun and very lucrative fact; he produced six of the seven songs himself. To be a powerhouse that writes, produces, sings, and raps is the kind of self-contained that puts Kampala landlords to shame.
You can tell that he respected and trusted the process and the end results speak for themselves. The music is good, the replay value is present and he boldly introduces this version of Damzy who we hope will be a very present voice in the industry.
MooTowNoh understands who he is, what he is trying to create, and the sort of positioning he wants for his brand. He is not afraid to stand out, and who would be with this level of talent? He is the type of talent that intimidates, the scary kind!
In a world where our celebrities are more accessible, one needs to be a master at what they want to be celebrated for, and then they need to wear that with all the confidence that comes with knowing your stuff.
Listen to The PROLIFIC EP: HERE
ARTICLES
INTO THE B’RAKA LAND
Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.
In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!
One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.
Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.
The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.
Keep streaming JUVIE Here
ARTICLES
Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy
By Byaruhanga Felix (@MrByaruhanga)
Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.
In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.
This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.
As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.
One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.
The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.
These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.
From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.
I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.
Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.
ARTICLES
Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.
If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.
Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.
This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.
To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.
Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.
Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.
For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.
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