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EXCLUSIVE: Top 10 UG RnB Songs Of 2023.

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By The Count Markula (@TheCountMarkula)

Over the last couple of years, the RnB scene in UG has been the gift that keeps on giving. We have had several artists produce stellar projects and break barriers and boundaries that many might have considered beyond our reach.

This year hasn’t been any different. We have had several gems from the pearl that have left their mark in one way or another. We’ve been blessed with so many amazing singles with beautiful vocals, soulful melodies, inspired writing, and creative production, fusing many styles which are often sprinkled with the right amount of Afro sauce.

With all the amazing RnB songs this year, we had to deliberate and cook up a list of the top 10 songs from the genre. We were spoilt for choice, but we still managed to rank these songs based on specific criteria and metrics selected by the judges, ranging from writing and structure to vocals, melodies, production, replay value, accessibility on DSPs and reach/impact.

Honorable mentions:
Akeine for her single One Thang produced by Timothy Dylan.
Shwento featuring Akeine for their banger, Tutuka.

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10. Ability – Kohen Jaycee x Axon

Kohen Jaycee is one of the most consistent young artists we have in the country. On Ability, he brings out that Afro-RnB style that he and producer Axon have clearly mastered. As usual, he delivers clean vocals, nice harmonies, and simple, yet impactful lyrics. The song is relatable and allows the listeners to connect with Kohen on a deeper level.

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9. BOMA – Steve Keys 

Steve Keys has been a silent force in the industry for years. The Swangz Avenue producer is behind many gems for Azawi, Elijah Kitaka, and many others. Steve had some amazing RnB songs on his last project “Keys” that was released in 2020, which is why we were excited to hear about his latest EP BOMA(Best Of My Ability) which was released in December 2023. The Project might only be a couple of weeks old, but the single BOMA stood out from an RnB perspective, delivering feels and vocals with a great afro choir that elevated the feeling and the message.

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8. Never Let Me Go – Baru, Kaboo x Joshua Baraka & Likkle Bangi 

Joshua Baraka kicked off 2023 with his hit single NANA which has broken all sorts of barriers. A major win for UG Music, a major win for his young career, and proof that UG has a lot to offer on the musical scene. Since Nana, he has released a couple of singles with Artists like Winnie Nwagi, as well as his brand new EP, Growing Pains. On the RnB side, Joshua partnered with Likkle Bangi and delivered a stellar performance on \”Never Let Me Go\”. It’s no surprise that this was by far the most streamed song on one of the best albums out the 256 this year (Baru x Kaboo – Longitude 20). The production gives it that Afro Funk and amapiano feel which is paired with their RnB/pop style vocals and writing giving the whole song a feel that is reminiscent of music by artists like The Weeknd.

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7. Ndi Wuwo – Elijah Kitaka

Elijah Kitaka has been one of our favorite artists of the year. From amazing live performances to a great album (Bedroom Essentials). We all had different favorites from the project because there was something for everyone to love. Of course, Nothing is easily one of the biggest songs in the country this year, regardless of the genre. A song that he followed up with an equally powerful remix. From that album, \”Ndi Wuwo\” shows off his Afro-RnB side the most, with good writing, good production, and a good music video too, as one would expect from a Swangz Avenue artist.

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6. Let Me Know – Mike Mungu

Mike Mungu released a great debut EP (Finally) this year. “Let Me Know” is the final song on the project. On it, he lets the listeners in, showing off the emotional range and maturity that he is able to convey with his music. Right from the opening keys of this song, you could tell that we were in for some proper RnB. The song is well written, the vocals are on point, and the feels are very present.

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5. Naawe – Izabelug x Artin Pro

Izabelug’s writing has always been her forte. This song manages to take that strength to the next level, as she finds the perfect melody to match her impeccable writing and vocals. The song is also a great example of a perfect artist-producer collaboration because Artin’s production complements every musical choice she makes. The second verse is even more powerful than the first, making the song an easy listen from start to finish.

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4. Kupatana – Jiran Seyn

Jiran Seyn released his debut EP (Paint A Picture) earlier this year. The project is short and sweet, with catchy hooks and a refreshing sound. Kupatana shows off his vocal ability, and was the perfect way for him to announce his presence on the UG music scene. It is no surprise that the song is co-written by Abaasa, one of the industry greats, especially in this musical space. Jiran also has a live acoustic version of the song on YouTube, showcasing his guitar skills as well as his ability to translate the song live.

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3. Balongo – Afrie

Balongo appears on Afrie’s latest project SiS (Sunflowers In Sahara). The writing of this song is top-tier. Every line, every word, every moment is intentional! The pauses in the delivery, the arrangement of the song… Everything about it is spectacular.
Afrie did an amazing job, and the live acoustic version manages to elevate the song even more. One could argue that the live acoustic version is even better than the original. It takes a special artist to deliver on that level. Afrie is special.

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2. Relief – Lowenna

We got to know Lowenna from the POA Star Search where she made it to the Top 8. Once she started releasing her own music, we were excited to see what she had to offer, and we were not disappointed at all.
We reviewed this song on The Tribe UG Podcast, and one thing we all agreed on is the fact that it felt like a Textbook RnB song. The song is produced by Sam Lamara (Samurae) who always seems to understand where the world is, musically. The production sets the tone for some pure new age RnB and Lowenna takes over and delivers the perfect song to suit the mood. The writing and structuring of the song are well executed. Everything fits perfectly. We hope to see more of Lowenna cause Relief is quite the gem!

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1. Away – Ssensamba

Ssensamba is easily one of the best vocalists in the country. He is known to many for his performances as a wedding singer and to others as a great cover artist. Lately, Ssensamba has been on a quest to deliver music, and he never seems to miss the mark. In terms of RnB, Ssensamba released singles like “Muli” and “Nzikiriza” during the lockdown years and now you know why we say that the UG RnB scene is the gift that keeps on giving. Ssensamba started the year off with his single “Mine” which is a lot more afrobeat, and swiftly followed it up with “Away,” which encapsulates all the different things you’d want in a great RnB song from smooth vocals to great melodies, strong ad libs, great control, range, soul, heart, feelings… Everything!
We have seen Ssensamba perform the song live many times, and there’s nothing better than a vocalist who can put up a live performance that’s as strong as the studio version.

One of our favorite things about this list is these songs make for an amazing playlist, the kind that’s perfect to listen to as you relax on a random Saturday morning, or whichever morning you prefer… After all, it is the festive season where all the days seem to blend.

For the songs you might not have heard before, we hope you get to add a new favorite or two to your list.

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INTO THE B’RAKA LAND

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Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.

In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!

One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.

Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.

The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.

Keep streaming JUVIE Here

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Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy

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By Byaruhanga Felix (@MrByaruhanga)

Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.

In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.

This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.

As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.

One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.

The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.

These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.

From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.

I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.

Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.

 

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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