ARTICLES
Respect The Urge: Nyege Nyege 2017.
By Timothy CODE (@TimothyCODE)
Few events on Uganda’s Annual Entertainment calendar have the Appeal and the Allure that Nyege Nyege can boast about. In Three years, this Three Day Annual Festival had garnered the respect of East Africa and the World over by attracting a vast multitude of people from countries as far as South Korea , all converging at Nile Discovery Beach in Jinja , Uganda .
The Nyege Nyege crowd consists of Different Ethnic Backgrounds stretching far and wide across the Globe. I have personally attended two editions of Nyege Nyege (2016 and the recently concluded 2017 Edition) and I have this to say : You have NOT LIVED until you have respected the Urge that is, Nyege Nyege.
My Journey to Jinja this year began aboard The Jumia Party bus on Friday 1st September courtesy of the good folks at Jumia Travel. We set off from the Garden City Parking Lot at exactly 3:30PM, excitement surging through our bones and blood pumping through our veins anticipating the Weekend of Music, Madness, Partying and Fun that awaited us in Jinja. We kicked off with Complimentary Cocktails from the Pearl Guide and Uganda Waragi who, just like us, were #Loco4Coco.
The Music blazing through the speakers gave us a Warm Up of What to Expect with a compilation of Nyege Nyege mixes from some of the acts that performed last year and some expected to perform at this year’s edition. On Standby was the Crew from Urban Television ready to give our viewers a Sneak Peek of all the action on our Party Bus. We made Multiple stops here and there for our Party Animals who needed to answer “Nature’s Call” and at exactly 6:00PM, with Two-thirds of our journey complete, we kicked off a Live Broadcast of SKIZZY : Turn Up Friday, straight from the Jumia Party Bus.
As the Host of The Show, I interacted with some of the people on the Bus and discovered that we had guests from as far as Czech Republic, Germany, China and Australia who all came to Uganda for Nyege Nyege 2017. Amidst the lituation was Jumia Travel PR Manager, Cynthia Tumwine (also known as Ninja C) who kept the Party going all the way to Nile Discovery Beach. We arrived at the venue at exactly 6:30PM and I wrapped up a few Interviews at the Entrance. By 7:00PM, my show was ending but the Party was just about to start.
Hugs and Cries of Reunion could be heard across the entrance as hundreds of people reconnected with old friends all ready for Nyege Nyege, After sorting out my Entrance and Accomodation details, I walked through the gates and received my necessary Wristbands for Access to the Venue. In my own Cassper Nyovest voice, ” MAMA I MADE IT !!!!”
This Year’s edition of Nyege Nyege promised 4 Stages of Non Stop Entertainment and it was my goal to experience each and every one of them. I stepped onto what felt like the top of a loud hill and below was a sight to behold: Food Stalls, Mini-Bars, Rolex Stands, Outdoor Restaurants, Arts and Crafts, Alcohol, Freedom, Dancing, Music that made the Ground Shake, Lights that bounced and warmed your Face, Different Colours of Skin, Cultures mixing, Cameras Flashing, Languages that changed from one person to the next, Tribal Paint, Faces and More Faces, The Smell of Nightlife and the Sound of Joy. All These things filled the air.
I made my way to the foot of the hill on what felt like a really slippery path due to the rain and wondered how people could continue to party in conditions like that and i was quickly hit with this realization: People DIDN’T CARE. That was the Beauty of Nyege Nyege. It stripped us of all social standards we set for ourselves (and stripped some people of their clothes) and provided the Ultimate Down to Earth celebration of Life. And This was just Friday.
I closed my first night at Nyege Nyege at 5:30AM on Saturday and took a breather. The biggest battle was : My body needed the sleep but my Mind wanted to Party. The fact that i could hear the Music nearby was tempting enough to take me out of my bed and back to the party at 10:00AM. After a quick shower and short breakfast, the celebration resumed.
Saturday, I feel, is the Height of Nyege Nyege. It is Music at Its Most Primal, Bodies at Their Most Sexual. In a phrase, it is LIFE IN THE WILD. Every performance seemed to grow and mold its way into the next. Every DJ seemed to hold the crowd tighter in his palms. Every speaker blasted louder than the night before. Every new drop of rain made the crowd wet but gave the party more life. Every artist sang louder, rapped faster and drew closer to the hearts of those that watched and danced with them. It was at this point in the Festival that i knew, Nyege Nyege had taken a life of its own.
Saturday Night pulled in More Familiar Faces and the Reunions that started at the Entrance doubled on the Festival grounds. But it was the new faces that brought out a new type of joy. An experience that one doesn’t feel often. The feeling of talking to someone new, dancing with someone new, kissing someone new, sharing a drink with someone new, smoking a joint with someone new all added up to one thing: Nyege Nyege 2017 was designed to give its party goers something they hadn’t experienced. And to me, watching all this happen was in itself : Refreshing.
Sunday came at the Climax of the Festival. Energies spent. Strength tested. Sleep demanded. But the Urge needed to be respected. I did as i had done the night before. Quick Shower, Short Breakfast and my body begun to float back to the Vibes like a Bee to a Hive. The Bodies in front of me displayed signs of two days worth of LITUATION but no sign of backing down. The Music became more Tribal and Traditional. Newer faces showed up at the Entrance, officials running up and down to receive them and those that sought Accomodation outside the venue returned for what was built to be an epic conclusion to a 3Part Festival.
At this point, the Sun made its final attempt to bring heat back to Nile Discovery Beach. Most of the campers on site now relied heavily on water from River Nile to take a shower or wash off the mud from Saturday’s escapades but the Rain was already on its way by 4:00PM. It was at this point that i chose to humbly bow out of the Nyege Nyege Festival but judging from the events of Friday and Saturday, i knew what to expect: THE. PARTY. WOULD. NOT. STOP.
There is no way to conclude this recap that would possibly describe the feeling of Nyege Nyege in the best way or in the most complete way. This is One Man’s Experience. But the images in my mind stay vivid. Etched into my existence. Sewn into my memories. Its the kind of event you can’t experience vicariously. You need to be there to LIVE it for yourself. I finish writing this from my work desk at 11:24PM on Monday Night with a smile on my face as i review the best moments of this past weekend and make a mental promise to myself: Come Nyege Nyege 2018, I will be there.
Time to sign out : I go by the name, TimothyCODE.
ARTICLES
INTO THE B’RAKA LAND
Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.
In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!
One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.
Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.
The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.
Keep streaming JUVIE Here
ARTICLES
Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy
By Byaruhanga Felix (@MrByaruhanga)
Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.
In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.
This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.
As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.
One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.
The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.
These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.
From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.
I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.
Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.
ARTICLES
Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.
If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.
Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.
This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.
To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.
Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.
Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.
For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.
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