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REVIEW: Kohen Jaycee – RWEBEMBERA – A Full Course Meal!

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Sometimes, you go out to eat, not because you’re hungry, but because you’re looking for a nice fine dining experience. You pick the ideal restaurant, and you hope they do not disappoint. You know the chef is top tier, and once you look at the menu, you’re spoilt for choice. The ambiance is right, the service is great, so you go ahead and place your order. As you wait, the anticipation eventually leads to hunger. You’re ready! It gets even worse as they bring out the cutlery, the salt, the pepper… And then you see the waiter bringing out your plate – bliss, relief, eagerness, FOMO! And finally, you dive in…

This is how I felt in the build-up to Kohen Jaycee’s “Rwebembera” album. The rollout was right, the push was visible, the dates were set, the tracklist was released and we were certain that we were in for a masterpiece. Chef Kohen Jaycee had cooked up a full-course meal and we were ready to be served.

At the end of September 2023, Kohen Jaycee dropped the first single off the album. “Abilitywas the warning shot, and we should have taken it more seriously. We loved the song, as one would expect from a Kohen x Axon collaboration, but we might have underestimated the level of work being done in the background.
In May 2024, Kohen Jaycee released his second single off the album “After 10:30”, reminding us of his range and ability to go from love ballads to break-up songs, all the way to straight “Kidongo Business”. Finally, in August 2024, a couple of weeks before the album dropped, Kohen Jaycee dropped his third single off the album, “Dancé” featuring Cxnrvd, Nutty Neithan, and Denesi. Given the title, the vibe is self-explanatory, and boy, have we danced to it since then.

When I said Kohen Jaycee had been in the kitchen and that he was a top-tier chef, understand that these first three singles, however nice they were, could not have prepared us in any shape or form for what we were yet to listen to. They were simply tasteful and delightful appetizers that were meant to get us ready for the main course. Rwebembera was released on 30th August 2024 and had several eye-catching legendary features such as Maurice Kirya, Azawi, Elijah Kitaka, Levixone, A Pass, Navio, and Keko. Kohen made sure to include some of our favorite rising stars like Akeine, Lagum The Rapper, and Kenya’s Maya Amolo to round off the collaborations on the project.

If you’ve been paying attention to Kohen Jaycee’s music, the first thing you will notice is that he started the Rwebembera album exactly how he ended his WENA II EP. Yes, the “Ninyowe Rwebembera (intro)” is an extract from the ending of “Look My Way” featuring Abaasa, which is the last song on WENA II. That alone shows us the amount of thought that goes into the work that Kohen puts into his projects. It’s all connected, and we are here for it!

He then proceeds to take us through the inspirational phase of the album, giving us Ability, which is followed by “The way” featuring Levixone. He goes ahead to remind us that he is on a journey that started a while back, letting us know that he (RWEBEMBERA) is here for us on “Nva Wala” featuring Maurice Kirya. This story continues with “Rulendere” which is a tribute to his grandmother, where Kohen refers to a folk song that she used to sing to him. A song that tells us that he has found something precious. It is only right that this phase is closed off with “Tell Me More(Theodore’s Interlude)” which is a song for his son, because there is nothing more precious than the love he has for him.

The album then shifts as Kohen takes us into a celebratory mood. If you aren’t dancing to the next few songs, then you have not passed the vibe test. Kohen turns up the heat, giving us “Gundeze”, “Dancé”, “Byoyagala” featuring A Pass, “Oboniire” featuring Lagum The Rapper, and “After 10:30”. Back to back fire, simply because he can. This phase is closed off with a super feature, as Kohen Jaycee gives us “Endagililo” featuring Azawi, further highlighting the fact that chef Kohen was serving a full-course meal cooked with the finest ingredients.

The third and final phase of the album is probably my favorite. Kohen Jaycee activated RnB beast mode giving us “Night like this” featuring Kenya’s Maya Amolo and UG Hip Hop great, Navio. The RnB was so contagious, that Navio started his verse singing too. He then gives us “Weekend” featuring the legendary Keko, which makes it back-to-back epic RnB- Hip Hop collaborations!

His RnB prowess is further shown on probably my two favorite songs on the album, “Wanting You” featuring Elijah Kitaka and “Bwoba Ompulira” featuring Akeine. Top-tier songwriting magic was shown in these songs. From melodies to structure, arrangement, style, vocals… ABILITY!

Kohen Jaycee finally sends us off with his outro “The Raising Echoes” where he sings along to a folk song with his Mother. The perfect farewell after this 18-track journey. The album as a whole is Kohen stepping into the Rwebembera shoes, a name that has been handed down for generations in his family. A name he has had to earn. He opened up, he shared, he was vulnerable, he had fun, he put himself in our shoes, and allowed us to take a walk in his too. This is why we can all “Sing” together, and say Ninyowe Rwebembera.

Stream RWEBEMBERA HERE

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

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Photo Credit: Next Media/NXT Radio

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

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On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

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Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

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