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TOP INFLUENTIAL UGANDAN RAPPERS

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By Byaruhanga Felix (@TheNinjaFelix)

Before I dive deep into the details oft he article, I want to define the meaning of the word “influential” because I know by now you have scrolled down to the bottom of the list and you are protesting that a particular MC is not supposed to be on this list (btw you are free to come up with your own list too).

In.flu.en.tial:
Having or exercising influence.

in·flu·ence

noun
noun: influence; plural noun: influences
1.
the capacity to have an effect on the character, development, or behaviour of someone or something, or the effect itself.

This isn’t a list of the best, most skilled or most successful, necessarily—so please don’t confuse being influential with being successful. So to me the rappers below have left a mark on the UG hip hop scene. They may not have a hot record on air but when they talk about Ugandan hip hop they have done a lot to impact the fans and inspire the young upcoming rappers. Now that I have gotten that out of way I present to you the top influential UG rappers in no specific order;

LYRICAL G

With the music culture of Uganda putting out 7albums and staying relevant to the fans/listeners isn’t easy because the genre keeps changing as young rappers join the industry and as the competition becomes stiff. Lyrical G has managed to stay consistent and improve as an artist. You can tell the difference between his first album LIVE FROM EAST AFRICAN in 2004 and his most recent album GROWN MAN TALK. He is a 2time PAM award hip hop artist of the year and founder/CEO of GMC Entertainment a hip-hop independent label which is a home to rappers like St.NellySade, AK47, Aggie.

BABALUKU

Babaluku is one of the pioneers of hip-hop in Uganda and originator of the LUGA FLOW. He is the founder of the Bavubuka All Stars Foundation an initiative that believes connecting youth music and the arts can transform lives and unify diverse communities, he is also the co-founder of THE BATABAKA SQUAD a Ugandan hip hop group that was formed in the mid-1990s that
went ahead to win the 2007 PAM award of best hip-hop single (“U take Anthem”). He is known for paving the way for most of the Luga Flow artists in Uganda through his BAVABUKA ALL STARZ FOUNDATION. His work has been recognized both locally and internationally such as Buzz Teen Awards Best Hip Hop artist; he was honored by the Ugandan Cultural Association for his excellence and also chosen as Pioneer of the year by the Words Beats and Life Remix Tech- In Awards.

SABA SABA a.k.a KRAZY NATIVE

He began his career in the 1993 with the BATAKA SQUAD as the co-founder of the group along with Babaluku and Shillingz. His hip hop career is believed to have kicked off when he met Lyrical G who was also a member of the BATAKA SQUAD. In 2000 he changed his style and became a social political conscious rapper and in 2002 he embarked on a solo project. In 2003 joined by Xenson, Jeff Ekongot, Francis Agaba and the late Paul Mawandha a.k.a P-Tech(R.I.P) they formed Uganda Hip Hop Foundation with the mission of promoting Ugandan Hip Hop in Uganda and worldwide. The foundation went ahead to sponsor the first hip hop summit and concert in 2003 which featured a lot of Ugandan artists like klear kut, Bataka Squad, MauriceKirya, Vampino, Benon and others.

 NAVIO

“….Future Rappers Can Use The Mould That I Perfected/
And Hopefully Get The Accolades I Collected/
In fact More, Go Further/ …”
Navio (Skamaress Remix)

I guess after quoting those bars I don’t need to write more stories about what he has done or accomplished. He is the most commercial rap artist in UG and the most decorated hip hop artist in the country (5PAM Awards, 1Nigerian Entertainment Award, 4CMVAs, 6Buzz Awards, 3Hipipo Awards 4Channel O Nominations etc.). He is known to have influenced and pointed one of the best hip hop artists in the right direction like GNL.

THE-MITH

He is one of the best lyricists in Uganda if not the best that there is and he has held the UG flag on his back through his music. The only time Mith won’t mention about being “SO UG” or “Representing UG” in one of his songs, is when it’s a ladies song but he always reps where he comes from. He dropped his first project which was a mix-tape; September Reign Vol.1 which featured tracks like “SO UG” which turned into a saying, lifestyle and a fully-fledged brand which has him at the top as the CEO (Mr. So UG). The mix-tape was followed by his first studio album “The Week Of September”. He is known to have inspired most of the best
MCs in the country and to give them advice about the industry. He is currently working on his second studio album Destination: AFRICA.

GNL

Lugaflow was around from the mid-1990s but it was majorly underground. Through the hip hop canvas and the push given to him by his fellow artist Navio, GNL was able to take lugaflow from the underground onto the spotlight and largely introduced a huge crowd to hip hop world. His first record breaking album “KOYI KOYI/RIDDLES OF LIFE” received critical acclaim all over the
country and also got airplay on radio stations that initially didn’t want to play Ugandan hip hop considering it local and fake. He has won a bunch of awards which include; best male artist of the year Buzz Teens awards, 2best hip hop singles PAM awards etc. He is currently the CEO Baboon Forest Entertainment that’s a home to one of the best award winning hip hop artists like MUN*G, BigTril.

 SYLVESTER AND ABRAMZ

This is a veteran rap duo (blood brothers) that has played a vital role in the growth of the Ugandan hip hop scene from the underground to the mainstream. They have dedicated their skills to changing youth’s mindset to positive avenues of thinking through music. In 2003 they won an anti-corruption week theme song competition in different categories like Best rap song, best group and best performance for the song. They have inspired the use of luganda language
as a form of expression in rap music in an era where English has been dominant. Sylvester is currently working on his solo project with tracks like “OMULYA MAMBA” already released and is the Hip Hop coordinator at the Bayimba Cultural Foundation.

I would like also to appreciate the following rappers/personalities cause they have also supported the Ugandan hip hop industry in different ways;

  • Shadrack Kuteesa/Founder of Platinum Ent, Hip Hop Canvas, upcoming hip hop magazine (IamHipHop).
  • Steve Jean/Fenon Records
  • Paul Mawandha a.k.a P-Tech(R.I.P)/Founder Ugandamusiconline.com
  • Tshila/member of the pioneering hip-hop group, Bataka Squad.
  • Papito, Langman, Jb/Klear Kut Members.
  • JT/founder Yego Productions
  • Enygma
  • T-bro/kiga-flow rapper
  • Lumix
  • Mckenzie a.k.a The UG Hip-Hop Sherif/Founder RudeBoy Music.
  • Saint C.A
  • Lyrikal Proof

As I sign out, respect to every one  (the media, fans rappers and bloggers) that’s pushing the Ugandan hip hop industry and whoever that is making it better than it was years ago.

Get in touch with writer;

Facebook: Byaruhanga FeLix FeliFed

Twitter: @TheNinjaFelix

Email: felix.byaruhanga@gmail.com

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INTO THE B’RAKA LAND

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Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.

In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!

One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.

Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.

The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.

Keep streaming JUVIE Here

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Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy

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By Byaruhanga Felix (@MrByaruhanga)

Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.

In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.

This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.

As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.

One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.

The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.

These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.

From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.

I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.

Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.

 

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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