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#OffTheMIC:Special Edition By CODE (@TimothyCODE)

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By CODE (@TimothyCODE)

Welcome to a Special Edition of Off The Mic. This one is
purely for the AOC, the Army of CODE. Riding on the high y’all gave on Tuesday
when I showered with Birthday Love, I feel its time (and its only right) that I
share my best rap moments as CODE, with you. To whoever reads this; please know
that I am glad you are a part of the AOC and that your support means the world
to me. The only way I can repay such loyalty is to promise that I give you
Great Music, Hit after Hit.
With that being said, here are my Top 21 Rap Moments (With
Pictures):
1. Meeting Lilian Mbabazi and Peace (Radiocity, Top 10
Countdown) – 2012. 

A Shy Kid walked into Radiocity and told Lilian and Peace
that he was going to be a musician and make rap music. Little did he know his
words would prove prophetic in the months thereafter. That was the year the Stay Schemin UG Remix, Hands in the Stadium (Owaye) and Shut It Down were born.

2. Meeting Mister Deejay for the Shut It Down Premiere (Radiocity,
SNMS) – 2012.

I have always been a fan of SNMS and anyone who knows me
knows that. I had just finished recording my single Shut It Down and I badly
wanted the world to hear it. I originally sent Mister Deejay Hands in the
Stadium but he didn’t play it. I think he will if I get a CODE Power Hour but Shut
It Down is the one that he liked more. We discussed Constructive Criticism that
night, something all young rappers need.

3. Cooling with Essie, backstage at the Hot 100 Explosion –
2012. 

Essie is like my partner in crime and I call her Lil Sis a
lot because she has had my back from Day 1. Ready to hit stages, we got on the
Hot 100 Explosion at Hotel Africana. C-Minor (my brother) was there in full
support so we weren’t nervous at all. In fact, we almost knew we were going to
rip the stage apart. So when the time came, we did what we always do. We SHUT
IT DOWN.

4. Twawambye
Sessions at GEUrban with Guest Appearences from Enygma and Young Nick – 2012. 

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GEUrban was
my first musical home when I started out. Met a gang of people there including
Aydee Dumba, one half of the infamous NGONI. Frankly, the first session I was
star struck but the feeling grew less when the sessions finally checked in. The
whole Twawambye Team was present: LP, Levy On The Beat, Young Suma, Essie, Jhay
Efekt. Even Stonetown was there, in spirit of course. Those sessions taught me a
lot about recording and production so don’t be surprised if you hear a CODE
track produced by CODE. We had guest verses from guys like Enygma and Young
Nick. Great exposure for a dude who was starting out in this music thing.

5. One Mic
Cyphers and On Set with Enygma for a Video Shoot (Benezeri’s Girls From
Kampala) – 2012.
 

From
rooftops in Kamwokya to hidden roads in Bunga, One Mic was a journey for me. So
Severe had cats spitting lines like mad men. Found out about a lot of
underground MCs like Nemesis, Testament, Suspekt 92 and Benezeri, who later
invited me to his GFK Video Shoot. I didn’t make an appearance in the video but
again, Learning Experience for me. You know when you hear an MC saying “Man, I
Just been a Student of the Game” – These are moments they are talking about.
Hehehe…..

6. Celebrity
for Charity, Campaign for Life – 2012. 

Location:
Royal Suites. Showing support for a good cause. There are types of cancer that I
didn’t know about until that day so I am glad I was a part of it. Knowledge is
Power.

7. KK and I rocking
the AOC sign during the Shut It Down Premiere (XFM, Xzit) – 2012

That has to
be one of the funniest interviews I have done. Dude is hilarious. Almost forgot
to talk about the song while I was there. You never prep interviews with KK.
Its Purely Freestyle. Kenneth, we need to have a chat about  your interview skills. Smh.

8. Recording
The Shut It Down Remix with The Mith, Ruyonga, Enygma and Tucker HD (Yego) –
2013

This song
has the most interesting story behind it. I can’t even begin to tell you how it
went down but I will say this, UG needs more tracks like this. (Allow me to
brag). Definitely a Classic in my books.

9. Yego
Night, Performing The Shut It Down Remix for the first time – 2013

The Line-up was
insane that night. A Show with CODE, Navio, T-Bro, Flex D Paper, Big Tril, Jhay
Efekt and Mister Deejay is nothing short of EPIC. And the performances
reflected that. I gave the crowd a first listen to Revolution (LIVE) that
night. Now that I look back on it, I am glad we “held” onto the song a little
longer. The Shut It Down Remix was still banging.

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10.
Organising an Independent Gig with Row Records in Mukono. The Hive Experience –
2013

 OPU hit me up with an idea to do an
independent gig in Mukono and in October 2013, The Hive Experience was born. I
must admit, I was scared the turn up would be low since we did it on a
Saturday. But it was dope. Great Show, Even Greater Response. Might even do one
this year. Who knows?


11. First
Kwivuga Performance for the Shut It Down Remix – 2013

 

Poetry Art
and Music in one Event. Totally something up my alley. Priviledged to have
worked with Kinetic not once but twice at Kwivuga. My first time was performing
the Shut It Down Remix at Gatto Matto. Everyone was on stage. Yes, even the
Mith. Plus when the song was done, we jumped into freestyles. Held my ground
during a freestyle with Ruu.

12.
Revolution (The Song and the Session) – 2014
This song
basically set the tone for this year. Enygma and Kushe were brilliant on it.
The story behind this song is insane. Again, I feel i would need another
CODEConnect session just to talk about it but this track is special. Dare I say
it, a Game Changer.

13.
Performing Revolution for the first time – 2014

Enygma and I
put up a stellar performance at the Champion Concert that night. Something
about the darkness and stage lights and not being able to the crowd clearly
made the performance even darker than the actual song. Truth fact: I completely
forgot my lines 10 Minutes before I hit the stage. Had to find a small space to
go over them again with my phone, pacing back and forth till I was ready.
Nonetheless, that performance is one for the books.

14. Kwivuga
Finale – 2014

The Final
Kwivuga Show. You know I had to be a part of it. Dope Night, in my opinion. Gave
the audience a preview of Enter The Ring. Daniel Omara was mad with the jokes
that night. Something about a rat and a Drake song. Smh. (Only Omara, Only YOU)

15.
Performing for my former high school, Greenhill Academy – 2014

Career
Highlight. Definitely in my Top 5, if I had to narrow the list. The response
was nuts. When you have staff members flipping over Shut It Down, a song you
wrote about a year after leaving High School then you know you are doing
something right. Coach Abdul should be in the video.

16. Enter
The Ring – 2014

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One of my
best studio sessions so far. The process was seamless and flawless at the same
time . A Pass did the hook with ease. My verses were almost effortless. (No I am
not bragging…..okay a little). We just had a great time in studio. Very
Talented Peeps.  An awesome beat. You
know we had to do it justice.

17.Enter The Ring Premiere

 
Another SNMS Classic. A Pass had me speaking Jamaican on air. Mister Deejay tried as well. *cough cough*. Hehehe.  

18.Cypher Session



 Nothing beats performing to a familiar crowd. You always have the upper
hand. Thats what went down at Casa Mukono. They knew the hook before i
even sang it !!!! #EnterTheRing



19.Airtel Staff Party

 
A Corporate Affair / Turn Up. Kazoora in the back on hype duty. DJ Shiru
on the Ones and Twos. Airtel really knows how to throw a party.



20.Reaching to Katalemwa.



Celebrity for Charity. Receive Blessings and Give them back. Glad we put a smile on the face of another.



21.Navio Concert

 
Safe to say, They Know By Now. I am the Poster Child for New MCs. #EnterTheRing

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INTO THE B’RAKA LAND

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Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.

In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!

One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.

Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.

The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.

Keep streaming JUVIE Here

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Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy

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By Byaruhanga Felix (@MrByaruhanga)

Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.

In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.

This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.

As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.

One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.

The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.

These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.

From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.

I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.

Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.

 

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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