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The Producers’ Credit.

By Byaruhanga Felix (@TheNinjaFelix)
One of the objectives we had to fulfill when we shifted to “.com” was to have “Pan-African” content. These are interviews/articles that cut across the African music industry or articles that focus on the Ugandan industry that translate well to the African music audience and an example of that is the Brian Soko (grammy award winning producer) interview we had last year. This blogpost is one of them and the goal of this is to get a larger audience to pay more attention to UG hip-hop.
Recently Metro FM one of the largest commercial radio stations in S.A held down its awards ceremony. This year they introduced an African category to celebrate African music excellence which to say was a “Nigerian category”, all the nominees were Nigerian but that’s not why we’re here. So at those awards a producer known as “Beats by Tweezy” contributed to 5 wins of that night in terms of producing. A quick background he’s the guy behind most of the dope S.A hip-hop albums out like AKA’s Levels. He had to buy a ticket to attend the awards show. So he goes on to start a campaign/hashtag #ProducersMustRise, where he’s addressing what producers face in terms of being not recognized & getting credit they deserve. The hashtag went on to trend with a lot of other music stakeholders & producers joining the campaign.
So I had to reflect what’s going on the African hip-hop scene and specifically here in Uganda. I reached out to a few producers who have been putting in work and I asked them two questions. What do they think about the whole thing of producers not being recognized and back here in UG are producers fully given the credit they deserve? You can read their answers below and please do tweet us your thoughts @TheTribe_UG.
Josh SB (@JoshSBSessions): In this current generation, a producer is an artist himself by just staying behind the desk and using his hands to speak/talk/sing. Producers should just brand themselves in order to get the recognition they are looking for because unlike other genres, I think hip-hop globally has tried to push n promote producers. We are the only genre that mentions a producer’s name in the song (with exception of those rare cases). We should be thankful already because other genres like soul and EDM don’t even hint on who the producer is. Beyond that one should have realistic expectations. There is a reason why your job as a producer is regarded as “Behind the Scenes”. It’s because part of your job is to sacrifice your skill to make an artist shine. The best producers are the ones who get the artist and sacrifice their sound to this artist so that he/she can break through using this sound the producer has created. We have seen this several times happening; Swizz=DMX, Just Blaze=Jay Z, Babyface=Toni Braxton, Timbaland=Aaliyah, Stargate=Neyo, Mike Will=Rae Sremmud, JR=Sean Kingston, Quincy Jones=MJ etc
Sorry for the old school examples but you notice that most artists ride on the producer’s sound to get that edge that can CUT IT in the game. The consistency of doing that and having this artist push your name out there each time he/she makes a public appearance both through his airplay and in person is what promotes the producer.
Cause you can’t blame the audience for getting overwhelmed by the artist whose voice they keep listening to each time the song plays cause you the producer you were “verbally” quiet hence not noticed.
But a producer who brands himself and treats himself first as an artist in his craft is one who can start getting the recognition they deserve. That’s why these days thanks to YouTube we get to see some producers make the beat of popular song on video just to show the world that they are the ARTIST behind the silent desks where the music is made. I personally feel like that’s our playground as producers and if we are to promote ourselves then that’s a good place to start. Show people the ARTIST in you as a producer both behind the desk and also outside on social platforms. You brand yourself.
Swizz, Scott Storch, Rodney Jerkins, The Business, JR etc all became BIG even without ever spitting a verse or shouting more than 3 sentences in a song. They mostly branded themselves to start being recognized. They literally made “production” look so cool that people started treating them like artists. Swizz spit his first album after 10 years of being a well branded producer.
Here in UG I think every good producer has really been recognized by the hip-hop industry, cause the industry is so small so one way or the other people get to know you produced this song & that song especially if it’s an artist they know. Though I must say the talented ones are yet to be heard. They just getting warmed up. It still goes back to branding yourself as a producer. Most guys meet me & think am responsible for a lot of tracks in the game yet I have only produced 4 popular hip-hop tracks on radio in my whole career. It’s just the noise CODE & Benezeri made about those 4 tracks that made it look like I have done a lot. Other tracks I have produced have remained in the background. The other thing is that for me it’s not about HOW MANY dope songs you have produced. It’s about THAT ONE SONG and the impact it creates on the game as a whole. That’s what makes people ask WHO IS THE PRODUCER? That’s an aspect most producers never look at while pushing their careers.
Baru (@IamBaruBeatz): Producers and beat makers sure do put in a lot of work when it comes to putting together music especially in hip-hop as genre where most of the artists out here work with beat concepts which are usually the producers ideas. That accounts for like 50% of the whole song concept. So when its comes to crediting producers should always be credited because they deserve the credit. For the producers that don’t get credited, I put it on the artists they work with who maybe don’t make an effort to see that they are credited. I think its high time all music consumers and stakeholders realized how much work that goes into making music is the producers effort.
Back here in UG Stuff has eased up over time producers are a little recognized for there work and contributions to making music artist have made an effort. But our industry here in Uganda is still under developed for the loyalties system to work so producers are not benefiting enough from the work put in in making the music. Artists benefit more from the music hope things will change in due course. Another thing I haven’t wrapped my head around is the awarding system and if the award shows that exist are fully developed. I think more producer categories should be added to enable favorable competition. But bottom line credit should given where its due.
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Mark (@TribalUG): People such as artists as well as others in big positions who interact with producers need to understand that without them they won’t have anything to sell to the public. That’s a fact. Credit needs to be given where it’s due. Whether it’s in terms of money or simply shout outs on TV radio interviews.
In UG producers are actually appreciated and in my opinion taken as serious celebrities. Look at the likes of Washington and Nash wonder. Most times new artists that work with those guys only get airplay when their names are shouted out on the track. But on the other-hand the larger minority of producers especially those that do different genres or are new to the game aren’t really appreciated much. Most are under looked and under paid and not really appreciated even by artists themselves. I think it comes down to the mentality that some artists have of producers as people offering a service and therefore should bow down to whatever idea the artist has. In terms of corporates and big business guys they look at producers the same way. ” why should we pay this guy this much for just making a track, or why should we give him credit since we r the ones pushing the song” it’s worse if the producer is young and doesn’t have a big name for him/herself.
The Soultan (@Simon_Elly): First of all producers have to be given some special recognition too , just like the artists . They take part in crafting all the music that the people enjoy but at the end of the day the artists take all the praise. For the awards to have a single category for producers is still not fair. There are many genres of music, that means there are many producers that are responsible for crafting music to feed those genres. Some are multi genre others aren’t. But when it comes to award categories, they usually select from categories that dominate the air waves. That leaves a lot of talented producers not recognized The other issue is, some beat makers are called producers which is misleading.
Now bringing it back home here, in UG. There are many beat makers/ producers that have put in work but have failed to get the recognition they actually deserve. I’ll not give names, you know them. The first recognition should come from the artists, then the rest will follow. However certain artists will only work with a producer who has worked with a bigger artist, has hit songs on radio or is willing to work for peanuts Or “free-thousand” shillings. The media also some times fails to look beyond the music, they have failed to dissect the music and understand who does what and how important are they?
Vote for The Tribe UG (Best Blog Category) in the Social Media Awards 2016 here.
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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.
Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.
This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.
To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.
Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.
Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.
For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.
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Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.
From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”
The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.
The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.
“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.
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