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The Curse Of “KIKANKANE”.

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By Kella McKenzie (@KellaMcKenzie)

The year was 2005 when I set my eyes on one of the most creative Videos Uganda has ever released under the Hip-hop Canvas project, besides being impressed by Lady Slyke, Easy Teks and Lethal… my attention was quickly directed to GNL Zamba. A young Earnest Nsimbi that rapped very fast in Luganda. He creatively ate his words as he rapped. Mama Africa is still by far one of my favorite Videos and thanks to Channel 5 (EATV) for giving us a platform because it changed lives. My dream was to meet these guys and just be in position to help.

Fast forward to 2007, I got a chance to be a part of a VJ Search hosted by MTV BASE, they needed just one TV Presenter and we were about 2000 contestants, I knew I stood no chance considering I was still infant in my career, Carol Mugasha ended up winning but the person who “stole the show” was GNL Zamba. He got up on stage during one of the breaks and he had a rap battle with MTV VJ Sizwe, I sat back in the crowd and looked at this guy rapping in Luganda, I’m not a good Luganda speaker but he made it easy for me to enjoy listening to him. He was very comical and I knew there and then he was going to blow up soon. He seemed different, unlike many other luganda speaking rappers, his English was very good, he had poetry in his rhymes and most importantly, he didn’t look like his style of rapping. He was a brand. (I got my Job at HOT100 a week after that day.)

 

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Fast forward to 2008, my boss then Mr Colin Mutambo gave me liberty to create my own Radio Show that would express my passion for Hip-Hop. I came up with Super Saturday, every Saturday morning 7am-11am. My role was to give a Hip-Hop fan the best of a Saturday Morning but keep as professional while doing it. So I used to host an artist every last hour of the show. My first guests where Hannz Tactic, Crack and Lethal and they premiered a track called “SO SERIOUS”.

The show’s ratings instantly shot up and I started getting calls from different artists but at the back of my mind, i wanted to host the “Luganda guy”, so I got Emron who was the then GNL’s manager. I requested him for an interview with his artist and on a very sunny Saturday morning, GNL was at the studio before anyone else, wearing his trademark cornrows, buggy jeans and a BIG Nokia phone, he was very articulate through the interview and we premiered “Soda Jinjale”. It’s still my most important Interview to date because it changed the game. I got a call 1hour after the interview from Shadrack and he said he wanted to work with me as the A&R of Platinum Entertainment (9HipHop Canvas), he also gave me my fist big interview with Tanzanian Rap Legend A.Y. That same afternoon, Lyrikal Proof came to studio and played for me his mixtape, I instantly directed him to GNL and the week after that, we had GAME OVER produced at Baava Records.

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So now, a young Mckenzie is part of GNL’s management. The first thing we did was to get another artist to back up GNL for mostly his performances and all our minds directed us to MUN*G. Zamba insisted that Mun*G was the only person who could get close to him on stage. It was a perfect match. GNL continuously became big, every artist wanted to work with him. I, for the first time saw the rise of a music legend.As of 2009, there was not more than 2 or 3 artists in the entire country that were bigger than GNL Zamba, his current hit at the time was KOI KOI which was a cult hit at performances as he sat down by the stage and literally sang along with the crowd. He was now a musician of Greatness with No Limit. However, with all this going on, GNL had no song but MR. RIGHT that would play in a club or on mainstream Radio. Hot100 then used to play a lot of Ugandan Hip-Hop and it was a bigger station then, so he had a platform to have his Hip-Hop songs played like many other artists, but he needed mainstream radio to.

On the day we went to listen to the fresh sound of “AniYaliAmanyi” that samples the legendary Elly Wamala, Producer Benon Mugumya, Managers Shadrack & Emron , Vampos, Micheal Ross and others were all in that studio (the first Swangz Avenue). Benon then suggested a dance-hall Hip-Hop Fusion for the album to be complete. A few ideas were thrown on the table and Kikankane was the Product.

Fast Forward to 2009, Kikankane was probably the biggest song that year besides RADIO AND WEASEL’s dominance on the charts. Kikankane was so big that every song GNL released after that seemed like he was supposed to do better than Kikankane. Actually, the first songs released after Kikankane were “Message” “WubaAkamabala” of which many critics thought was below the art that he had shown in his first album. GNL became more mainstream than the guy I watched in 2007 on stage rap battling. He had now crossed over to the world he was not really sure of, the world of Hit after Hit. There was certainly something missing. All we GNL fans wanted to hear was a ghetto story teller, the best Luganda speaking Rapper. The pressure was mounting on Earnest Nsimbi, GNL was not doing what he was known best for. The crowds changed and the industry changed too, the evolution of GNL couldn’t fit in the current system. For some of us that believe in GNL kept pushing and some great efforts came out like “EnsiBwekukuba blow” and a few other really good songs but they were all over shadowed by the curse of Kikankane. I call it a curse because however much it helped cross the bridge, Hip-Hop was not ready for that and most definitely GNL wasn’t. He was a ghetto story teller, he thrived on telling stories like “Story Ya Luka”, but wubaakatambala wasn’t cutting it for him even though the mainstream fans waved those handkerchiefs.

Kikankane opened doors for rappers like Mun*G, who had a witty side to their art. When Mun*G released his first major Hit *Ebintu*, Byg Kahuna told him to keep the style and watch the money pile up and it’s evident today, Kikankane in my view made way for MUN*G and closed many doors for GNL.

GNL ZAMBA changed the Hip-Hop Industry in Uganda, he single handedly gave excitement to the genre. Hip-Hop had its best years 2008-2010, appearing on Major Magazine Covers, lifestyle TV shows covered the events, he inspired thousands of Kids who thought rapping in Luganda was all about the negative side of society, for once, one could have fun listening to Luganda rap. GNL In 2009 January on “The HOT BREAKFAST” named himself THE KING OF LUGALOW in August 2009 , GNL had the second but most successful Hip-Hop Concert at the Famous Kyadondo Grounds, the first being Navio.

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I believe wherever GNL is today, he will re-invent himself and give us the true Legend of Zamba. On behalf of all the fans, we salute you and pray one day you understand our pain and patience. You are celebrated.

Connect With McKenzie;
Facebook: Bryan Kella McKenzie
Twitter: @KellaMcKenzie
Soundcloud: RudeboyMusic
Instagram @KellaMckenzie

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INTO THE B’RAKA LAND

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Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.

In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!

One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.

Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.

The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.

Keep streaming JUVIE Here

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Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy

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By Byaruhanga Felix (@MrByaruhanga)

Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.

In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.

This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.

As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.

One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.

The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.

These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.

From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.

I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.

Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.

 

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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