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EXCLUSIVE: A Chat With The Homie, Life After MTN Rap Battles, Debut EP & UG Hip-Hop.

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One of the things the UG Hip-Hop Awards do is introduce new acts to the Ugandan audience. This year it was beyond the usual as they tied in the MTN Pulse Rap Battles which added flavor and also brough new rappers to the fore front. One of the acts that stood out was The Homie as he obliterated his opponents line for line, bar for bar. That night he was the crowd\’s favorite however he didn\’t emerge the winner of the MTN Pulse Rap Battles. He came in a close third and bagged UGX. 5M. Like most musical oriented competitions, the winners tend to disappear after they have secured the prize, but not The Homie. Since the battles ended he has put out a single \”Say Goodbye\” and an EP dropping on Sunday 19th July. So, as we wait for the EP we decided to catch up with the rapper to understand how the journey has been thus far, challenges and ofcourse his top 5 Ugandan rappers. Have a good read!

What’s good Homie?! Thanks for doing this. How have you been surviving the lockdown, maintaining creativity and all that?

Man it\’s a pleasure, well ofcourse everyone dreads the current situation but im a glass half full type of guy , so Ive been using the free time to create as much as I can and do research on my peers, I\’ve probably listened to the entire catalogue of people I consider inspirations and competition, and to cap it all of I wrote and recorded my six track debut EP, East African Boy.

Let’s dive into it, let’s talk about the MTN Pulse Rap Battles [MPRB], how was your experience on that competition and has it moulded you in anyway in any way?!

The MPRB was an experience of a lifetime, I met so many talented artists, so many!! I always believed I could rap but now I had to prove it and be judged by people I considered idols, I have never been so excited about anything ever, I finally had the platform that I was desperately looking for, before hand I always told my bro and the people at home, \”I swear if I get to spit a 16 for Nav, he\’ll sign me man I swear\”, if only it was that easy.

Away from that I got to see that to be as established as the artists I looked up to, you had to put in work because for every episode I had to have like 3-4 of my hardest verses memorised and sometimes we would shoot two episodes in one day, and then there is freestyle which I had never done in my life, I\’m a punchline guy and I would want every bar to be structured perfectly infact the first time I ever freestyled was on the show, yet among my competition everyone was freestyling like it ain\’t even a thing but since there was money and a career on the line I pushed myself and after the competition I could bust out a verse in less than 10 mins or freestyle immediately when called on because of the preparation that I had to do for the show.

I think the rap battles were a perfect platform for me caused I have always fed off competition and I\’m like the biggest fan of battle rap, although I think the highlight of the whole MPRB is the finals at the Hip-Hop Awards , being backstage with real artists and then performing in a room full of UG Hip-Hop elites and having the crowd go wild, that\’s by far the greatest night of my life. Just the comfort of knowing, yo this shit is possible, excuse my French, was a dream come true in itself, and ofcourse it has moulded my work ethic and drive to push further regardless of the competition

 

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How has the journey been since the MPRB to now?!

The journey has been amazing, I got some ka money from the competition, I finally got my name out there and people want to work with me now. Furthermore my family and friends now believe in me and take it abit more serious when I say I\’m going to be an artist full time, and Iv,e been working on alot of music, and the future looks bright from where I\’m standing.

From your view currently how’s the UG Hip-Hop game looking like to you right now as a freshman?! Tell us the good, the bad and ugly of it and how you would want it to change?!

The good is that there is alot of good music being put out and also there are significantly more hip-hop acts compared to a few years ago, so there is some competition, in addition to that the hip-hop fraternity are starting to create their own platforms, for example the Hip-Hop Awards or the MPRB and that\’s encouraging cause it showcases alot of new content.

The bad is I think we can do better, and actually be a notable mention in Africa hip-hop scene, I mean BigTril made a song that should be an example to every rapper out here that you can take your music go the entire distance.

The ugly is I think there\’s alot of hate from some rappers who use conventional hip-hop beats and those that rap on afrobeats but I think if we are to move forward we have to work together, after all to each his own and would you blame an artist for trying to reach his/her target audience

I wouldn\’t change anything I would just want us to build more structures for rappers, like how the DJs have their whole association, I believe if such a thing was put together for the  hip-hop community, it would be a step in the right direction.

Let’s talk about your E.P, what’s the story behind it?!

East African Boy, this EP is basically a celebration of the good things that have been happening in my life. I\’m at a place where I can finally work on my music and I have wanted that for a long time, so as I was gathering concepts for the EP and I was telling my cousin how I\’m gonna release the hardest body of work, he said something that stuck out to me, \”lots of people can rap, but can you make good music?\” and that made so much sense to me, so after 5 months of going bar for bar in a competition I wanted to prove to myself that I can be versatile and I believe I did that with this project, and I was personally surprised how well it came together.

Century Vybz producer is a genius and we understand each other so well that when we are in studio it doesn\’t take long before we have something recorded, P.S, I wrote 80% of the project in studio, as opposed to the overthinking that I usually do when I\’m working on a song. I enjoyed myself on this one and I think the listeners will catch the same vibe. In these hard times I aimed to make a project that will make you feel good. I believe I grow everyday and this EP speaks to that, finally the name was inspired by who I am, a Rwandan who was born and mostly raised in Kampala, so when I\’m in Rwanda I\’m the guy who grew up in Uganda and in Uganda I\’m the Rwandan guy so I kinda didn\’t belong anywhere till I realised I could embrace them both and use the best out of each thus…EAboy.

 

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What do you want the takeaway to be for anyone who listens to this project?!

I think that\’s mostly up to the listener but I\’ll say this, this EP should be a weighing scale for my abilities as an artist and that doing you and following your own direction is the way to go because after all it is your art, you are the artist

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

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Photo Credit: Next Media/NXT Radio

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

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On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

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Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

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