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EXCLUSIVE: A Chat With The Homie, Life After MTN Rap Battles, Debut EP & UG Hip-Hop.

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One of the things the UG Hip-Hop Awards do is introduce new acts to the Ugandan audience. This year it was beyond the usual as they tied in the MTN Pulse Rap Battles which added flavor and also brough new rappers to the fore front. One of the acts that stood out was The Homie as he obliterated his opponents line for line, bar for bar. That night he was the crowd\’s favorite however he didn\’t emerge the winner of the MTN Pulse Rap Battles. He came in a close third and bagged UGX. 5M. Like most musical oriented competitions, the winners tend to disappear after they have secured the prize, but not The Homie. Since the battles ended he has put out a single \”Say Goodbye\” and an EP dropping on Sunday 19th July. So, as we wait for the EP we decided to catch up with the rapper to understand how the journey has been thus far, challenges and ofcourse his top 5 Ugandan rappers. Have a good read!

What’s good Homie?! Thanks for doing this. How have you been surviving the lockdown, maintaining creativity and all that?

Man it\’s a pleasure, well ofcourse everyone dreads the current situation but im a glass half full type of guy , so Ive been using the free time to create as much as I can and do research on my peers, I\’ve probably listened to the entire catalogue of people I consider inspirations and competition, and to cap it all of I wrote and recorded my six track debut EP, East African Boy.

Let’s dive into it, let’s talk about the MTN Pulse Rap Battles [MPRB], how was your experience on that competition and has it moulded you in anyway in any way?!

The MPRB was an experience of a lifetime, I met so many talented artists, so many!! I always believed I could rap but now I had to prove it and be judged by people I considered idols, I have never been so excited about anything ever, I finally had the platform that I was desperately looking for, before hand I always told my bro and the people at home, \”I swear if I get to spit a 16 for Nav, he\’ll sign me man I swear\”, if only it was that easy.

Away from that I got to see that to be as established as the artists I looked up to, you had to put in work because for every episode I had to have like 3-4 of my hardest verses memorised and sometimes we would shoot two episodes in one day, and then there is freestyle which I had never done in my life, I\’m a punchline guy and I would want every bar to be structured perfectly infact the first time I ever freestyled was on the show, yet among my competition everyone was freestyling like it ain\’t even a thing but since there was money and a career on the line I pushed myself and after the competition I could bust out a verse in less than 10 mins or freestyle immediately when called on because of the preparation that I had to do for the show.

I think the rap battles were a perfect platform for me caused I have always fed off competition and I\’m like the biggest fan of battle rap, although I think the highlight of the whole MPRB is the finals at the Hip-Hop Awards , being backstage with real artists and then performing in a room full of UG Hip-Hop elites and having the crowd go wild, that\’s by far the greatest night of my life. Just the comfort of knowing, yo this shit is possible, excuse my French, was a dream come true in itself, and ofcourse it has moulded my work ethic and drive to push further regardless of the competition

 

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How has the journey been since the MPRB to now?!

The journey has been amazing, I got some ka money from the competition, I finally got my name out there and people want to work with me now. Furthermore my family and friends now believe in me and take it abit more serious when I say I\’m going to be an artist full time, and Iv,e been working on alot of music, and the future looks bright from where I\’m standing.

From your view currently how’s the UG Hip-Hop game looking like to you right now as a freshman?! Tell us the good, the bad and ugly of it and how you would want it to change?!

The good is that there is alot of good music being put out and also there are significantly more hip-hop acts compared to a few years ago, so there is some competition, in addition to that the hip-hop fraternity are starting to create their own platforms, for example the Hip-Hop Awards or the MPRB and that\’s encouraging cause it showcases alot of new content.

The bad is I think we can do better, and actually be a notable mention in Africa hip-hop scene, I mean BigTril made a song that should be an example to every rapper out here that you can take your music go the entire distance.

The ugly is I think there\’s alot of hate from some rappers who use conventional hip-hop beats and those that rap on afrobeats but I think if we are to move forward we have to work together, after all to each his own and would you blame an artist for trying to reach his/her target audience

I wouldn\’t change anything I would just want us to build more structures for rappers, like how the DJs have their whole association, I believe if such a thing was put together for the  hip-hop community, it would be a step in the right direction.

Let’s talk about your E.P, what’s the story behind it?!

East African Boy, this EP is basically a celebration of the good things that have been happening in my life. I\’m at a place where I can finally work on my music and I have wanted that for a long time, so as I was gathering concepts for the EP and I was telling my cousin how I\’m gonna release the hardest body of work, he said something that stuck out to me, \”lots of people can rap, but can you make good music?\” and that made so much sense to me, so after 5 months of going bar for bar in a competition I wanted to prove to myself that I can be versatile and I believe I did that with this project, and I was personally surprised how well it came together.

Century Vybz producer is a genius and we understand each other so well that when we are in studio it doesn\’t take long before we have something recorded, P.S, I wrote 80% of the project in studio, as opposed to the overthinking that I usually do when I\’m working on a song. I enjoyed myself on this one and I think the listeners will catch the same vibe. In these hard times I aimed to make a project that will make you feel good. I believe I grow everyday and this EP speaks to that, finally the name was inspired by who I am, a Rwandan who was born and mostly raised in Kampala, so when I\’m in Rwanda I\’m the guy who grew up in Uganda and in Uganda I\’m the Rwandan guy so I kinda didn\’t belong anywhere till I realised I could embrace them both and use the best out of each thus…EAboy.

 

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What do you want the takeaway to be for anyone who listens to this project?!

I think that\’s mostly up to the listener but I\’ll say this, this EP should be a weighing scale for my abilities as an artist and that doing you and following your own direction is the way to go because after all it is your art, you are the artist

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INTO THE B’RAKA LAND

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Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.

In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!

One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.

Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.

The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.

Keep streaming JUVIE Here

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Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy

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By Byaruhanga Felix (@MrByaruhanga)

Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.

In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.

This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.

As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.

One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.

The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.

These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.

From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.

I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.

Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.

 

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Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

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If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.

Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.

This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.

To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

Photo supplied by Skyline Media.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.

Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.

Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.

For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.

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