ARTICLES
Mun*G’s ‘Dear Pops’: Celebrating Family and UG Hip-Hop’s Greatest Album.

Six years later, Mun*G has finally released the visuals for “Dear Pops,” a standout track from the oMUNGiattibwa album. This album undoubtedly cracks the top 10 greatest UG hip-hop albums of all time. If you disagree, let’s link up and debate the 10 greatest albums to ever come from UG hip-hop.
Back to the album—oMUNGiattibwa went on to win the UG Hip-Hop Album of the Year at the MTN UG Hip-Hop Awards (back when we at The Tribe UG were still producing the awards). This win was a testament to the album’s greatness and its resonance with UG hip-hop fans.
“Dear Pops” was one of my personal favorites from the album. It wasn’t just the heartfelt story MunG tells on the track, but also the husky tone of his voice, which adds an emotional weight to the song as he reconnects with his dad. Fun fact: I later learned from a reliable source that MunG recorded the track after a show, when his voice had all but disappeared.
That said, this isn’t a review of Dear Pops. If you’re looking for one, you can find it here. Instead, this is a pitch for how I think the video should have been:
The video embodies family, resilience, spirituality, and the pursuit of success in Ugandan society, showcasing the journey of overcoming pain and challenges to follow one’s dreams. I’d open with a scene of Mun*G writing a letter to his father, updating him on what’s been happening since he passed on. Alternatively, he could be jotting in a diary or drafting lyrics on a writing pad. Next, I’d include shots of him flipping through old family photo albums, featuring those vintage Kodak pictures.
When he says “Nvuze mu motoka,” referencing his career success, I’d showcase clips of him at award shows, performing to sold-out crowds, or posing on billboards. The idea here is to highlight his triumphs despite the struggles. I’d also incorporate footage of his peers, like the Baboon Forest crew, to add more depth.
The video would then close with Mun*G and his young son (remember him from the oMUNGiattibwa album cover?). From there, we’d transition to a final shot of his family, dressed in all white, holding candles—actual family members, not actors. This would symbolize the unity of the family, their resilience through tough times, and a reflection on the successes of each member Mun*G raps about in the song. The video is an embodiment of family, pain/loss, success and how to make it in the Ugandan society against all odds while following your dreams.
ARTICLES
Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.

If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.
Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.
This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.
To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.
Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.
Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.
For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.
ARTICLES
Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.
From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”
The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.
The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.
“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.
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